Alexandra Gardner :: composer |
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book of days archive 2001 12.01.01 Craving stillness and quiet lately. To some extent, running fufills this need. Although it is hardly silent on my route through the park, (cars, kids, bicycle bells, etc.), the physical activity becomes a form of meditation; a time to be completely in the present, to soak in the surroundings. Motion and breath. 10.26.01 This is my favorite musical question, asked many years ago by Pauline Oliveros, during a Deep Listening retreat in the mountains of upstate New York. For me the answer changes every day. Sometimes I would like to be the tension-filled silence between a flash of lightning and its accompanying thunderclap, while at other times I feel more like the quiet between drips of water from a leaky bathtub faucet. The point of this question, that the silence between the sounds is just as important as the sounds themselves, is something I try to consider in all of my work. 10.10.01 9.28.01 Strange is our situation here upon earth. Each of us comes for a short visit, not knowing why, yet sometimes seeming to divine a purpose. From the standpoint of daily life, however, there is one thing I do know: that we are here for the sake of each other, above all, for those upon whose smile and well-being our own happiness depends, and also for the countless unknown souls with whose fate we are connected by a bond of sympathy. Many times a day I realize how much my own outer and inner life is built upon the labors of others, both living and dead, and how earnestly I must exert myself in order to give in return as much as I have received and am still receiving. 9.19.01 My favorite part: a gorgeous description of stepping outside into the rain, and hearing how it defines the contours of the environment, creating a new sense of space and direction. 9.12.01 We don't realize how much the sounds of our environment have become incorporated into the fabric of our lives, into our sense of familiarity, of comfort and safety, until they are gone. True also with buildings, with people. All will be deeply missed. How incredible that the world can shift so profoundly in only one hour. 7.15.01 themythofAcceptAnce for electric cello and sampled sounds by Henry Gwiazda, performed by Jeffrey Krieger. The "e-cello", amplified and sent through a pitch-shifting device, begins with short, scampering pizzicato phrases that slowly transform into lush, ecstatically singing melodies, all the while enveloped by a series of intertwining soundscapes - a busy pub, various animal noises, children playing.... a beautiful journey. How incredibly refreshing to hear those sounds without all the usual processing and mangling. Rather than forcing his will upon the sounds themselves, the composer created a powerful story through simply revealing their true nature. This makes me seriously reconsider my own "process and mangle" approach to audio! Will see what happens as I work on this new marimba and tape composition.... back to book of days main page archive 2001
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